( note these all received the exact same first initial tap on the bowl to release the pregnant portion ) This is very hard to control, you have to be careful to dry your brush out, tap the side of the brush to the paint reservoir prior to touching the paper. The ones that gush, they release all the dark, almost black on the first inch or two, it’s all about speed of moving the brush. Note these were all tested via moving the brushes in the same manner, as well as I could anyway. In this test they look about the same, but that pregnant portion is key, where it’s really dark. A real kolinksy can often keep steadily releasing paint after the Versatil is done. There just isn’t an exact match, the closest is the Escoda Versatil, which has that same steady flow, and initial response. When I see a #8 of some new fiber or brand, I just buy it, eventually I will be doing a test like this of everything, or I just like collecting brushes, but mostly it’s just for comparison. I’d also look at japanese/chinese brushes, these tend to be very affordable and work very well. Icon can out perform most of the middle range brush fibers, and really has student grade pricing. If you don’t have a think against real hair, the 3 brush intro pack probably should be what every beginner starts off with. These are a blend of cheaper sable ( probably red sable ) and synthetics. )įor low end ( ie really affordable performance ), I like the jacksons Icon line, the mottlers and Quills, as well as rounds. ( I have some examples of the Raphael aqua line, but none of the Isabey, really I find the other brush brands, like Winsor Newton, Raphael, to be far too over priced for the value you actually can get. Here with the neptunes you have Quills, Daggers and other shapes. I’d also get a 1/2″ and a 1″ Escoda jumbo flat wash, it was only after I got this brush that I started to actually like flats.Īfter versatil, it’s the various faux squirrels, neptune and the like. Perlas are really soft, but also can take punishment, and they are cheap enough you can wear em out and replace em. I usually do #8, #12, #16 versatil with #6, #10, #14 perla ( as one size apart, the 6 and 8 are basically the same size ) Note the White Toray from Jacksons is the same as perla, and made by Escoda ( as are the two Kolinksy lines Jacksons sells ). I’d say that a Perla companion is recommended, as verstil can be worn out, it just takes longer. The thing that makes kolinsky so amazing is how long it steadily releases a steady and juicy stroke of paint which can be measured in feet. I believe that the qualities that are important to me at this time for a round brush are the volume of water that the brush will hold, and the sharpness of the tip point.īased on my testing, and focusing on brush capacity, Escoda Versatil are the only things that come close. What is the best artificial substitute for kolinsky sable for watercolor, particularly with round brushes with sizes from 000 through 12?
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